Author: Barnaby Walter


  • Thor: God of Entertainment

    After some rather less-than-mediocre offerings from the Marvel stable (last year’s Iron Man 2 being a recent low point), I was delighted to find that Thor, directed by Shakespeare god Kenneth Branagh, is not just a step in the right direction but an absolute feast of entertainment. Some expressed surprise when Branagh’s attachment to the […]

  • Challenging and moving: Of Gods and Men

    This sombre and meticulously filmed effort from French director Xavier Beauvois looks at the daily lives of a group of Trappist monks living in 1990s Algeria. They grow plants, they donate medical attention to those who need it, and they sell honey. This is all pleasant enough, but probably wouldn’t be enough to sustain a […]

  • BBC mash-ups. The future of entertainment?

    On the afternoon of Easter Sunday, Radio 4 went through a nervous breakdown. Or maybe, inspired by the many kids unwrapping chocolate eggs the across the country, they fancied a bit of child-like naivety, similar to that of a 4-year-old boy thinking Horrid Henry is a real living person. How did this disturbing radio event […]

  • William and Kate: The Movie

    William and Kate: The Movie. People couldn’t believe it when they heard it was actually happening. Some hoped it would be so bad it would swing round the whole 360° of awfulness and land in the area of good trashy entertainment, where other confectionary such as Mamma Mia! and Top Gun could keep it company. […]

  • It may ‘twihard’, but it fails: Red Riding Hood

    Twilight 2.0? Barnaby Walter investigates…

  • Sex has never been so boring: brilliantlove

    If you’re not a fan of slow, artistic dramas that have more interest in their characters’ private parts than a compelling narrative, you’d probably be best avoiding Ashley Horner’s overindulgent debut feature about a young couple called Noon and Manchester. With names destined, and perhaps designed, to annoy less tolerant viewers, the two leads have […]

  • Cool and compelling: The Lincoln Lawyer

    This is director Brad Furman’s second feature film, adapted from a Michael Connelly bestseller by John Romano, and it places him promisingly high on the list of talents to watch. The Lincoln Lawyer is an assured, cool and stylish legal thriller with a smooth Matthew McConaughey in the title role. In fact, it’s McConaughey that […]

  • The Underworld Down Under: Animal Kingdom

    I have no idea why this didn’t get a Best Picture Oscar nomination this year, but it really should have done. Well, actually I have a pretty good idea why, but let’s not dwell on the Academy’s xenophobia, particularly when they’ve just awarded Britain rather nicely with their multiple awards for The King’s Speech. Animal […]

  • Moderately entertaining: Unknown

    Can we really hate anything that Liam Neeson does?

  • A sci-fi romance: The Adjustment Bureau

    The Adjustment Bureau, an adaptation of a 1950s short story by Philip K Dick, is a rather welcome surprise. Although it deals with a story that could have been pretentiously portentous (yes, Inception, I mean you) and self-indulgently nerdy, somehow it manages to escape this and give its audience a fun, coherent and thrilling story […]

  • EDGE goes 90s: Cruel Intentions

    This teen comedy-drama playfully adapted Choderlos De Laclos’ 1782 novel Les Liaisons Dangeureuses into a tale of sex, sluts and cocaine. Not that different from the source material then, but here the action is relocated to 1990s Manhattan and the drama kept mostly among carnal-obsessed upper-class teens. The traffic-stoppingly gorgeous Ryan Philippe plays the anti-hero. […]

  • Why did they bother?: Brighton Rock

    Although comparisons to John Boulting’s 1947 adaptation of Brighton Rock are inevitable, this film still deserves to be judged in its own right as a separate and new interpretation of the classic Graham Green novel. However, this rehash of the story of young charismatic murderer Pinkie, here played by Sam Riley, and his dangerous relationship […]

  • What was Clint thinking? Hereafter, a review

    How on earth did this happen? How did this get made? How can such a talented director (Clint Eastwood) and an experienced writer (Peter Morgan) come together to concoct such a baffling disaster of a film. Hereafter is terrible. I have to be blunt about it. It really is truly awful. The opening of the […]

  • Hysterical, melodramatic and staggeringly beautiful: Black Swan

    When watching Black Swan, Darren Aronofsky’s new psychological thriller, there comes a point when you reach a cerebral fork in the road. One path stretching on ahead is labelled ‘Absolute bollocks’. The other is labelled ‘Absolute genius’. No, this isn’t an advert for a new variety of vodka – I’m trying to illustrate how, though […]