The film is all about the spectacle and it completely sacrifices in the process any chance of ever being even slightly affecting, says Ben Robins.
The third outing of the series is a stunted and rather sad-looking low-rent action picture clinging so closely to its roots that it spends more time bordering on parody than it does actually doing anything worthwhile.
Brick is is one of the most unique and stylish indie movies of the last ten years, says Ben Robins.
A joyously operatic multi-generational sci-fi extravaganza that delivers a fun, fresh and mind-blowingly weird dose of summer mayhem, says Ben Robins.
This is a film about one thing and one thing only: Dwayne “The Rock” Johnson smashing things and looking cool, says Ben Robins.
Our writer Ben Robins was at the European press conference of Marvel’s new potential mega hit.
Although a little slow in its start-up, Utopia 2 looks to be just as ambitious and memorable as its first effort. Back on Channel 4, Tuesdays at 10PM.
A mega-blockbuster that somehow feels ridiculously cheap, says our writer Ben Robins.
Ben Robins comments on the new footage of the film, putting forward Andy Serkis’ words on their complex narration and impressive technical aspects.
This is a clever, well-honed and beautifully grounded revenge thriller, bringing an exciting new honesty to a well-worn genre, writes Ben Robins.
Despite starting with such a daringly vacant set-up, Locke spins itself into an edgy and original thriller powered by a phenomenal lead and an inspiring script.
The First Avenger returns with a great cast and an engaging plot, says Ben Robins.
A neurotic self-pluralising computer analyst desperately seeks the reason for human existence in a self-collapsing future populated by talking heads and giant lycra onesies. Well, it could only come from Terry Gilliam. The king of kookiness returns to the genre he once defined with a fresh new take on the world we have to look…
This enjoyable film is a great showcase for Nick Frost’s comedic talents.