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The Returned may not have given us all of the answers that we craved but it certainly went out with a bang, says David Tully
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Intelligent, entertaining and heart-warming, Monsters University typifies everything that I love about Pixar, says David Tully
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David Tully discusses whether French drama The Returned can hold its own in a sea of American imports
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The charity show which could be the ultimate stress-buster!
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David Tully explains why Esi Edugyan’s second novel deserves such high praise.
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The subject of natural gas fracking perhaps doesn’t immediately suggest a Hollywood film but it is exactly this that Gus Van Sant’s Promised Land is offering audiences. My attention had been grabbed by the film’s trailer but I remained slightly sceptical as to whether the dramatization of this normally serious topic would work. I was […]
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The Place Beyond the Pines is full of talent. It’s also full of self-importance and lacking in script, says David Tully.
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Lift is a well-conceived piece of adult musical theatre.
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A diamond in the rough, Loserville is nevertheless big, bright and alive.
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David Tully sets straight the false stereotype that operas only play to the rich in big cities
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When I found out that I was to review Theatre Group’s Macbeth I was excited but also a little nervous. In my experience, amateur Shakespeare goes very much one of two ways and, whilst I had faith in the cast, I could not entirely shake my misgivings. It is an absolute pleasure for me to […]
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David Tully tells us why understudies are so deserving of our respect and admiration.
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The 39 Steps is the perfect blend of hilarity and absolute precision. It is also utter madness.
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Ghost is quite probably a technological marvel but this is not the same thing as a great musical.