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Marvel lover and noir enthusiast George Seabrook has some strong words for the first of Netflix’s ‘gritty’, street level superhero shows.
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The second single from their upcoming album Every Open Eye is “hypnotic and energising”, writes George Seabrook.
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George Seabrook explains why reading Owen Jones’ The Establishment is a fulfilling way to spend your Summer.
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Edgar Wright’s distinctive adaptation of Brian Lee O’Malley’s famed comic books was released in the US five years ago today on 13th August 2010.
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Joel Edgerton’s directorial debut is a skin-crawling revelation, says George Seabrook.
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It’s not fantastic, but it’s certainly not as bad as you’ve heard, says George Seabrook of the latest incarnation of Marvel’s first family.
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This Week in Film (03/08/15-09/08/15) includes Fox’s Fantastic Four reboot and Joel Edgerton’s directorial debut.
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The latest entry in Tom Cruise’s Stunt Spectacular is the best yet, and one of the best of the year.
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George takes an early look at the much-anticipated new rom-com from Amy Schumer and Judd Apatow.
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George reviews Ryan Reynolds in Marjane Satrapi’s darkly-humoured tale of mental health, The Voices.
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George looks at the positives to Tom Holland’s casting as Spider-Man.
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Following the news that Stan Lee wants his superheroes to stay as they were originally created – white and straight – George explores why diversity in the Marvel comics is a good thing.
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George Seabrook investigates Ian McKellen as literature’s most famous detective in Mr Holmes.
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Man Up is a proper rom-com, without any shame or cynicism, says George Seabrook.