Author: Harley James Mitford
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Harley James Mitford reviews the one-night-only Turner Sims exclusive: Roger Vignoles, Elizabeth Watts and Roderick Williams’ sensitive rendition of Wolf’s rarely performed Italian Songbook (24/11/16).
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Harley James Mitford reviews the epic stylings of Norwegian pop-princess AURORA at her recent London appearance.
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Harley James Mitford reviews the underwhelming new musical from Tim Minchin and Matthew Warchus.
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Harley James Mitford discusses Frank Ocean’s use of audio processing devices, and their significance, on his new album Blonde.
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Harley James Mitford reviews BANKS’ “cerebral” sophomore effort.
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The Edge visited the set of Tom Sands’ new film Three Acts – here’s what writer Harley James Mitford discovered.
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Harley James Mitford reviews the sparse new offering.
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Harley James Mitford reviews Anthony Garlands deliciously weird short film Ophelia.
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Harley James Mitford reviews Andrew Dominik’s intimate documentary about Nick Cave and the Bad Seeds.
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Harley James Mitford reviews the “unassuming yet magnificent” sophomore album.
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Writer Harley reviews the brief, albeit touching love story about two French boys, Theo and Hugo.
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Harley James Mitford speaks with Afsaneh Dehrouyeh about her past, present, and future work.
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Harley James Mitford talks Takashi Miike, the Royal Ballet, and flaming cabins with Downhill’s director, writer and lead actress.
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Harley James Mitford reviews Patricio Valladares’ deranged but disappointing Downhill.