by
Harrison reviews the mid point of Netflix’s Daredevil.
by
Harrison Abbott takes a look at the new, improved Daredevil.
by
What had the potential to be ever-so-slightly intriguing instead descends into a mindless cycle of confused, bewildered actors running around screaming in the dark, says Harrison Abbott.
by
Harrison Abbott hated the much talked about Fifty Shades of Grey and here is why.
by
The 87th Academy Awards wrapped up earlier this morning with only a few surprises. Deemed by many to be a two horse race between Boyhood and Birdman, the latter ended up coming out on top with not only a win for Best Picture but also Best Director for Alejandro González Iñárritu. The film also scooped up awards for Best […]
by
Whilst Kingsman is more than just Kick-Ass with spies, it does share its spiritual predecessor’s same frenetic hyperactivity, says Harrison Abbott.
by
Harrison Abbott looks at Fincher’s very successful Gone Girl.
by
In the latest of our new series, writer Harrison Abbott takes a look at why he is so addicted to ‘Middle Earth: Shadow of Mordor’.
by
The Edge takes a look further into 2015 at some of the most highly anticipated releases.
by
There’s a moment in Tom Harper’s sequel to the 2012 hit The Woman in Black, about 20 minutes or so in, that’s really subtle and creepy. There’s another one about 10 minutes from the end. Both of these moments employ framing in a way that really builds up a sense of dread. The subsequent chills (one involving […]
by
Nonetheless if you’re open to it, The Guest is one of 2014’s best films. Perfectly paced, beautifully shot, with a tight script and wonderful performances, this is retro-style escapism in the best kind of way, says Harrison Abbott.
by
For his second articles analysing Christmas in one shot, Harrison Abbott gets personal and talks about his love for the Gremlins.
by
If it wasn’t for the fact that they’d constitute spoilers, you could fill a whole review just listing the gloriously stupid moments that pad out this beautiful disaster, says Harrison Abbott.
by
Getting closer to Christmas, Harrison Abbott is commenting on the Spielbergian way to put Christmas in one shot.