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Marvel have the audacity to make a film about a talking raccoon, a tree creature capable of saying only three words… and it works!
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Well put-together and with an accomplished and polished look, the film is more than competently constructed, but it is sometimes lacking a certain spark that was so pronounced in Catching Fire, says Harrison Abbott.
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Harrison explores the point of DLC in modern gaming.
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Despite doing very little to go above and its genre of coming of age (sort of) dramedy, Say When gets by on an effective feel-good vibe and a great cast.
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“It’s hard to recall another blockbuster from the last few years that has as many shots that linger in the memory.” Godzilla is released on Blu-Ray and Harrison looks back on the misunderstood film.
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“The film is less about the titular boogeyman and more about startling fears that hit a little closer to home.” Harrison explores one of the surprise horror hits of the year.
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“Fury is a polished and visually impressive addition to the WW2 genre.” Harrison looks at Brad Pitt’s latest film outing.
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Our writer Harrison Abbott talks about his attendance at the David Fincher BAFTA event, celebrating the director’s career in the pictures with the participation of Fincher himself.
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“To a degree the film might have been more successful had it focused less on the bland human characters and more on the turtles themselves.” Harrison reviews the adaptation of one of the biggest children’s franchises.
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Got no plans this halloween? Have a browse through our 13 essential halloween horrors! We have put together our favourite movies to celebrate the spooky season.
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For a film so concerned with identity it is strange that The Equalizer’s chief problem is that it has no discernible personalty of it’s own, says Harrison Abbott.
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Despite a brief running time, Life After Beth still manages to feel like it’s dragging its central joke out way past it’s threshold, says Harrison Abbott.
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For the first installment of our Why I’d Like to Be Film Feature, Harrison Abbott talks about his admiration for Peter Parker.
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Frank Darabont’s film has gone onto become one of the most celebrated texts in the cinematic world.