Author: James Slaymaker
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Collaborating with his filmmaking partner Iman Bahmanabadi, first year film student Leo Barton has created over 30 short films, released through his own production company Thinc. One of the most recent is Cycle, a 10 minute, silent romance which won top honours at the University’s first student film festival (it can be viewed below). Representing The…
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In his latest column, James Slaymaker poses the question on everybody’s lips.
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The manic pixie dream girl?
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How does one define beauty when its aesthetics have become easily to replicate and associated with advertisements?
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Isiah Medina’s debut feature has received a new trailer, but has yet to get a UK distribution date.
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Paolo Sorrentino’s follow up to The Great Beauty really isn’t worth any praise, says James Slaymaker.
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This invaluable box-set from the late French director is an essential for cinema fans, says James Slaymaker.
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For December 22nd, those a little tired of the same old Christmas films might take a little inspiration from James Slaymaker’s suggestions.
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In the first of his regular column posts, James Slaymaker talks about the work of Jason Schwartzmann.
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Cate Blanchett’s latest film, Carol, heads up this year’s nominations, with further nods given to Beasts of No Nation, Spotlight and Tangerine.
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Controversial filmmaker Gapar Noé’s latest film is unlike anything else you’ll see this year, says James Slaymaker.
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Mark Neveldine’s first solo outing is visually astounding, says James Slaymaker.
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Abel Ferrara’s chronicling of the final day of Pier Paolo Pasolini is one of his finest achievements, says James Slaymaker.
