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Joe Buckingham went along to review SUSU Showstoppers’ slightly unusual latest show, The Drowsy Chaperone.
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The Race For Space is basically the coolest museum exhibition of your life, best served late at night while reading Wikipedia articles about space travel.
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The Edge chats to Robin Johnson, director of the upcoming The Drowsy Chaperone, SUSU Showstoppers’ latest musical.
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‘What Kind Of Man’ is trying so, so hard to be the next unforgettable Florence + The Machine hit – but if anything it’s tried too hard.
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Slick production and a catchy chorus can only distract so far from lyrics which demonstrate that Jonas’s mental age has not kept pace with his new ‘grown-up’ appearance.
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The prodigal son of Will Smith proves that there’s slightly more going on up there than just tweets about trees.
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Dreamy synths, heavy layering and sharp electronic beats weave a deep, rich sound, which is not particularly groundbreaking but no less impressive.
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Jack Antonoff might not yet be a household name, but this might be the project that gets him there.
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Proof that songs that would have sounded endearingly teenaged in a low-quality bathroom recording session unfortunately don’t always survive the leap to studio-quality sound.
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A good week for Ed Sheeran sees his new album x dominating the charts; newcomer Oliver Heldens tops the singles charts with ‘Gecko’.
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With The Moon Rang Like A Bell, Hundred Waters have struck second-album gold, exploring new ground while never losing sight of their established style.
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Clean Bandit have burst onto the scene with infectious single ‘Rather Be’, but does their knack for a catchy rhythm have the staying power to last a whole album?
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‘Appreciate’ is the latest single off his most recent album, New… and it might just be enough to justify Macca’s continued presence in the music world.
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Everyday Robots is laced with quiet intelligence, each individual track, as well as the album as a whole all feeling perfectly balanced and well thought out.