Author: Thea Hartman
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“I want my life to be like an ’80s movie… But no, John Hughes did not direct my life.” Emma Stone utters these words in the 2010 teen comedy Easy A, decades after the heyday of John Hughes had passed. Teen movies have remained a pinnacle of film culture, and to be honest, there have…
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From sudden prodigy to coming-of-age queen, Thea Hartman takes a look at the triple Oscar-nominee’s journey ahead of her next film, Greta Gerwig’s Little Women.
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Rockstars or poets? Ahead of the release of Everything Not Saved Will Be Lost Part 2, Thea Hartman looks at Foals’ journey to becoming stallions of the UK indie-rock scene.
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In the aftermath of the Game of Thrones finale, Editor Thea asks a big question: How relevant will GRRM’s last two ASOIAF books be?
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We’ve gathered in Stags’ to watch Eurovision, so you don’t have to (but what are you doing if you’re not, really?)…
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Does the lowest-rated episode in the show’s history to date deserve all the hate? Editor Thea reviews.
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Thea and Sophie’s theatre adventures continue with an opening night of ‘sex, death, and rock’n’roll’ à la Showstoppers.
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Sophie and Thea enjoy a night of ‘G O O D F U N’ with SUSU Theatre Group.
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From predictions to red carpet coverage, nominees and winners – we’re staying up ’til 5am so you don’t have to.
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The biggest night of British music is upon us… and we’re in a SUSU Meeting Room ready to provide coverage of all of it, fresh and *completely* unbiased. With Hugh Jackman opening, Calvin Harris, Dua Lipa, Rag’n’Bone Man, and Sam Smith on the same stage, as well as The 1975, George Ezra and P!nk lined…
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The Edge’s List of 2019 continues with dream pop act The Japanese House.
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Enter a new era of Foals with their first single in four years.
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The Norwegian popstar’s freshest bop will make you feel like dancing.
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The British indie rockers are back with a new single on Monday 21st January.