Author: Vicky Greer


  • How Much Should Artists Connect With Their Fans?

    Up close and personal, or separate from the fans? How should artists interact with their listeners?

  • The Most Iconic Live Performances of This Decade

    The Edge writers conclude who put on the most iconic performances of this decade.

  • Review: IDLES – A Beautiful Thing (Live at Le Bataclan)

    Records Editor Vicky reviews the upcoming live album from Idles – this is not one you can miss.

  • Preview: Fontaines D.C. at The 1865, Southampton (01/12/19)

    Vicky Greer previews the hotly-anticipated visit to Southampton’s The 1865 from Irish Fontaines D.C.

  • This Week In Records (25/11/2019) – Coldplay, Harry Styles & Stormzy

    This Week In Records is back with Harry Styles, Coldplay and Stormzy taking centre stage.

  • Review: BoJack Horseman (Season 6, Part 1)

    Bojack is Back! But how does season six compare to his previous appearances?

  • Preview: Lewis Capaldi at O2 Guildhall, Southampton (28/11/19)

    Vicky Greer previews Lewis Capaldi’s show at Southampton’s Guildhall this Thursday.

  • Preview: Grace Carter at the O2 Guildhall, Southampton (28/11/2019)

    Vicky Greer previews Grace Carter’s upcoming performance at Southampton’s O2 Guildhall this week.

  • Review: Echo and the Bunnymen at Engine Rooms

    Vicky Greer reviews Echo and the Bunnymen’s live set at Engine Rooms.

  • Nostalgic News: Lady Gaga’s The Fame Monster was released 10 years ago today

    It’s hard to believe that the reissue of this classic Gaga album has been around for a whole decade.

  • Review: The Regrettes at The Loft, Southampton

    Vicky reviews The Regrettes’ ‘underwhelming’ gig at The Loft, one of Southampton’s newer venues.

  • Romanticising War in Teenage Fiction

    Vicky Greer looks into war in YA, and the influences it has in the real world.

  • Review: Big Mouth (Season 3)

    Does season three of Big Mouth stand up to its predecessors?

  • Nostalgic News – The Cranberries’ ‘Zombie’ was released 25 years ago

    Vicky Greer looks at this ‘iconic protest song’.