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A decade in the making, the Swedish progressive house idol’s debut proves melodies remain triumphant.
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“Vengeful lyricism and serene instrumentation combine for ODESZA’s second LP swansong.” Xavier reviews ‘It’s Only’.
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Xavier reviews Rat Boy’s new offering, ‘Move’.
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Justin Bieber’s Purpose is third in the running for The Edge’s Top 10 Albums of 2015.
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LCD Soundsystem reunite for a Christmas present of depression and gentle melody.
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“Innoffensive and sterile,” says Xavier of this year’s X Factor winning track.
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SOPHIE’s Product begins and ends with the only two tracks worth listening to. Xavier reviews.
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“This is not a Coldplay you know. This might not even be a Coldplay you want.” Xavier reviews the return of Coldplay.
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Helen Arney chats to The Edge on fax machines and life on the road ahead of Festival of the Spoken Nerd’s sold-out Southampton debut show
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The German DJ hits the UK for three shows to ice his True Colors world tour (27/11/15-29/11/15).
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The duo behind Britney Spears’ ‘Toxic’, a singer/songwriter who composed a ballet with Mark Ronson, and one half of Galantis bring us ‘Heart Is Full’. Xavier reviews.
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Opening with a twelve-piece orchestra building a foundation reminiscent of Ian Brown’s ‘F.E.A.R.’, ‘Threshold’ lacks the typical elasticity of Redlight’s work, though not the listenability. Compared to previous singles ‘Gold Teeth’ and ‘Lion Jungle’, the radio-friendly sensibilities are explicit. Vocalist Melisa Whiskey leads us through a tale of a relationship that’s falling apart packed with […]
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Xavier gives his thoughts on the latest release from Diplo, featuring Sleepy Tom.