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Brick is is one of the most unique and stylish indie movies of the last ten years, says Ben Robins.
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Coppola quite often slips into pretentious filmmaking with little substance. But at other times, she manages to craft spectacular bourgeois examinations with hypnotising visuals.
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The Editor, Rebecca James, comments on Marvel’s female superhero latest announcement.
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Zodiac encompasses all of Fincher’s thematic interests and showcases his signature style in a story that is surprisingly personal for the director, says Harrison Abbott.
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With Mulligan’s masterful portrayal of Jenny performed with such vigour, An Education is a piece of film that is so authentic and a display of life with such art.
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Released last year, Stoker is a vivid and masterful piece of filmmaking which fearlessly and poetically explores sexuality and familial structures.
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Follow the next installment of the Film Debut series with Christopher Nolan’s 1998 film analysed by Harrison Abbott.
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David Fincher’s first film was notoriously plagued by production problems and studio interference, but the director still managed to bring his atmospheric style to the finished studio version.
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Xavier Dolan’s first film works as a real exorcism of teenage hatred, whilst embodying the blooming of the director’s cinematographic poetry.
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The Edge Live-Blogs The Movies is back, better than ever, ready to join Lars von Trier’s latest controversy.
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The film may pale slightly in comparison to the director’s best work, however there is no shortage of ideas, originality or style on display, says Harrison Abbott.
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Luhrmann’s has kept his initial recherché filmmaking recognisable, but matured it to a level that collides all parts of filmmaking to one effective united text.
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The Edge Live-Blogs the Movies returns with Terrence Malick’s 2011 epic The Tree of Life.
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Six of our writers pick what they think are some of the worst ever book-to-film adaptions.