Category: Cinema


  • LFF Review: Room

    LFF Review: Room

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    Film Editor Ben takes on Lenny Abrahamson’s adaptation of Emma Donoghue’s award-winning novel.

  • LFF Review: High-Rise

    LFF Review: High-Rise

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    The LFF reaches fever-pitch with Ben Wheatley’s latest slice of British madness, starring (a very naked) Tom Hiddleston.

  • Review: Sicario

    Review: Sicario

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    Denis Villeneuve’s latest may seem a little familiar, but is anything but in its execution says George Seabrook.

  • Raindance Review: That’s Not Us

    James’s Raindance coverage continues with William Sullivan’s micro-budget drama.

  • Raindance Review: Exit/Entrance

    James may well have found his favourite film of this year’s Raindance in this avant-garde short.

  • Review: The Intern

    Review: The Intern

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    Hollie takes on Robert DeNiro’s latest comedy.

  • LFF Review: The Invitation

    The LFF takes on horror in Karyn Kusama’s latest effort, as reported by Film Editor Ben.

  • This Week In Film

    This Week In Film

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    This week’s film releases (12/10/15 – 18/10/15) sees the return of fantasy favourite Guillermo del Toro and the premiere of hotly-tipped women’s rights drama Suffragette.

  • Union Films fill us in with what’s going down in their neck of the woods this week (12/10/2015 – 18/10/2015), including some Channing Tatum-related fun and Arnie’s big return to the Terminator franchise.

  • LFF Review: James White

    LFF Review: James White

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    Our LFF coverage continues with this Sundance-winning character study.

  • Review: The Walk

    Review: The Walk

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    Hannah tackles cinematic legend Robert Zemeckis’ new film, about a tightrope walker realising his dream.

  • This Week In Film

    This Week In Film

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    This week in film (05/10/15 – 11/10/15) finds Harry Potter star Emma Watson returning to our screens, and Emily Blunt kicking even more arse than usual.

  • Union Films keep us up to date with all their goings-on this week (05/10/2015 – 11/10/2015), featuring plenty of dinosaur-related madness and an emotional journey back into the heart of Pixar.

  • Review: Macbeth

    Review: Macbeth

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    Justin Kurzel’s new take on the classic Shakespearean tragedy may well be the most definitive, says Matt Clarson.