Phil Lord and Chris Miller have produced a comedy sequel that is just as funny, if not funnier, than its predecessor, says Jack Dillon.
Ben Robins comments on the new footage of the film, putting forward Andy Serkis’ words on their complex narration and impressive technical aspects.
The Edge’s Film Editor, Virginie, takes a look at this week’s forthcoming cinema releases.
Edge of Tomorrow has an intelligent plot to accompany its fast-paced action, says Tom Hopkins.
Seth MacFarlane’s second effort as director is a disappointment, with a valuable cast being wasted on an unfunny script that is mostly devoid of any real intellect.
This inventive update of a classic story proves entertaining but often fails to fulfil its real potential, says Andy Southcott.
The romantic-comedy is to star Daniel Radcliffe and Adam Driver.
The new X-Men instalment brings back our favourite characters and gets very close to brilliance, says Harrison Abbott.
If you are looking for a film you can simply enjoy and smile about, to help shake the stress of exams, you could do a lot worse than this, says Joanna Mills.
Not even the exquisite talents of actor Angelina Jolie can save this underwhelming new adaptation of Sleeping Beauty, says Lewis Taplin.
Too often, films use their genre to convey off-putting social attitudes that seem to have come from the last century. Fading Gigolo is one of them. Murray, character played by Woody Allen, or rather Woody Allen playing himself under the name of Murray, talk his friend Fioravente (John Turturro) into selling love services to women.…
Though occasionally spectacular, Godzilla is a step down in terms of quality for director Gareth Edwards.
Based on the memoirs of Jon Ronson, Frank offers a biopic of the man, wannabe musician looking for inspiration, and its encounter with Frank, misunderstood musician wearing a papier-mâché head. Wandering around the sea-side, muttering lyrics of a song that will never be considered as good, Jon comes across SORONPRFBS, a band whose keyboard player…
Directed in 2010, it took Silent Sonata four years to hit the UK ground. The film is an amazing piece of story telling, fascinatingly quirky, which, far from being a niche Slovenian war drama, depicts universal characters in a timeless no man’s land. Silent Sonata starts in medias res. There is a house, in the house…