Side-splitting, tear-jerking, foot-tapping excellence!, says Joanna Mills.
Stoker is something very extraordinary with every part of its filmmaking process meticulously composed to ensure a dramatic mélange in the most cohesive of ways.
Amy and Scarlett take a look at the films hitting UK cinemas this week, including the highly-anticipated Gone Girl.
The film will be an adaptation of the incomplete Blakeslee novel.
For the 80th birthday of Brigitte Bardot, Joseph Henderson talks about the French actress, offering a personal comment on her work and personal figure.
Once the narrative unfolds, it gets clear that Cronenberg’s exploration of the themes he tackles dramatically steps aside any first expectation, says our Film Editor.
The comedy-romance starring Keira Knightley will be released in November.
For the first installment of our Why I’d Like to Be Film Feature, Harrison Abbott talks about his admiration for Peter Parker.
For the first installment of our Why I’d Like to Be Film Feature, Harrison Abbott talks about his admiration for Peter Parker.
Corbijn faithfully handles this brooding and carefully constructed political allegory with praiseworthy poise, says Joseph Henderson.
The harmonious balance between the substance and style of the film makes it a truly expressive and accomplished work, says Joseph Henderson.
Frank Darabont’s film has gone onto become one of the most celebrated texts in the cinematic world.
The Riot Club is uncomfortable, vile and seductive with performances (particularly by Sam Claflin) that overflow with sanctimoniousness, says Lewis Taplin.
A Streetcar Named Desire’s Hollywood adaption was first aired on this day in 1951.