The second film charting the journey of Bilbo, Gandalf and company is a definite improvement on the first, explains Chris Pate.
François Ozon’s ambivalent exploration into an introverted teen’s foray into prostitution is majestic, intelligent, but not trouble free.
Iron Man 3, Despicable Me 2 and Monster’s University are amongst the top 20.
Spike Lee misses the mark in this feeble remake of Park Chan Wook’s breathtaking original, says Joseph Henderson
It may be silly, sprawling, full of plot holes and ridiculous coincidences, but Richard Curtis’s outstanding directorial debut has become a Christmas classic.
This is a small but absorbing portrait of inspiration and turmoil in the early years of the Beat Generation, says Andy Southcott.
Ridley Scott’s new film is a dazzling, dizzying masterpiece, says our Film Editor Barnaby Walter.
Will Dawson laments the announcement that Blockbuster is to close all its stores, and imagines a world without that staple of the film industry, the DVD.
Jack Harding explains why Francis Ford Coppola’s film must be seen by all
One of the biggest films of the year gets an early outing at Union Films
Virginie Robe chooses Man on Wire as a documentary all cinema-lovers must ask for this Christmas.
Union Films run through what they’re showing on campus this week.
In light of the huge popularity of the Hunger Games franchise, Natasha Raymond looks at a Japanese cult classic.
Ellie Wermter finds Stephen Frears’s new effort to be a moving, funny and very human film based on an amazing true story.