The most honest and enlightening movie review of Wall Street: Money Never Sleeps you are likely to read
The compelling social critique that is Paddy Chayefsky’s “Network” is as chillingly relevant today as it was in 1976
The EDGE take a look at the social phenomenon that we all can’t get enough of… in a movie.
Julia Roberts goes to find herself for a year, whilst she eats food, prays and learns to love after her messy divorce – a flawed premise for a film…?
Joe Dante returns after his lengthy absence from cinema screens, having finally gotten rid of the memories of the lacklustre – and financially unsuccessful – Looney Tunes: Back In Action. His latest is a promising children’s horror film that guarantees laughs and scares, with ‘80s nostalgia to boot. Two brothers, Dane and Lucas (Chris Massoglia…
The last issue of The Edge featured a review of The Last Airbender which was written, produced and directed by M. Night Shyamalan. The film wasn’t very good. The script relied too heavily on plot exposition and many scenes were directed with minimal imagination – slow-mo isn’t everything after all. Having catalogued the shambolic decline…
The town in question is Charlestown, where this crime drama based on Chuck Hogan’s novel “Prince of Thieves” is set, and where criminality is seen as a way of life proudly passed from father to son. It’s written and directed by Ben Affleck who also stars as Doug MacRay, the leader of a vicious gang…
The EDGE one to watch…
Some films review themselves just by their titles – Big Nothing and The Expendables being recent, superfluous examples. Paul Thomas Anderson’s Magnolia, however, is an exception to the rule. Neither bland nor unoriginal like its colour namesake, the film is one of the most daring and innovative pieces of cinema for decades. And here’s why.…
THE EDGE take a look at THE adaptation of the Summer – starring Liam Neeson, Bradley Cooper and Quinton ‘Rampage’ Jackson
THE EDGE looks at M. Night Shymalan’s latest addition to his portfolio. Probably not one to be too proud of.
A film-buff’s look at the all-too-missable handcam flick.