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Michal Delost reviews a rare big budget historical film from Robert Eggers.
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Sometimes lyric-less music can come in handy for all sorts of activities: work-outs, revision, travelling etc. Here are some of The Edge’s favourite film scores from the 2010s. Pacific Rim (2013, Ramin Djawadi) Since being released in 2013, Pacific Rim has garnered an average audience rating of 77% on Rotten Tomatoes. As a movie known for […]
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After a few delays, Avatar 2 finally has a palpable release date that has us wondering… will it be as good as the first?
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Mia Hill provides her picks for the worst comedy films ever made… and trust us, it’s a doozy.
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No Kite himself, Harry Geeves, reviews the latest outing to Gotham City.
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Film Editor Jacob Hando got to see one of the all time greats at the cinema.
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The most divisive film genre ever? Daisy Gazzard isn’t a fan!
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The boys are back for the fourth time- but does their humour still work? Reece Beckett believes so.
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Lucy Maggs discusses La La Land’s ‘Marmite’ ending.
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Oliver Picken shares his hopes and concerns for the upcoming film adaptation of Wicked.
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In the early 2000s, Gladiator renewed interest in the historical action film. Kingdom of Heaven, Troy, Alexander and Master and Commander are some of the most notable examples of this time, but the greatest and most unsung of them all is Edward Zwick’s majestic The Last Samurai. Released to moderately positive reviews, a few lacklustre […]
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Scream (2022), following on as an unofficial direct sequel of 2011’s Scream 4, is a twisted tale that works perfectly with the horror of the small town of Woodsboro that was first constructed and brought to our screens in 1996. With Ghostface back in business, Scream offers 2 hours of solid enjoyment and all your favourite horror […]
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Reece Beckett was not impressed with the audience favourite Belfast…
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Thankfully, after years of being one of the most harshly overlooked directors of all time, Kelly Reichardt’s dedication at the end of her recent feature First Cow to Peter B. Hutton brought some attention to his work. Hutton’s passing in 2016 was a shake to the very foundations of modern experimental cinema (particularly in America) […]