The Edge
David Mitchell-Baker heralds “a musical journey of biblical proportions.”
Xavier Voigt-Hill reviews David’s first record in six years.
Sophie McEvoy reviews the band’s sixth record.
Richard Anderson reviews “a defining moment of 2016.”
Is White Lies’ fourth studio awash with baiting 80s nostalgic sounds, or is it going to hold your hair while you throw up, like a true friend?
Harley James Mitford reviews BANKS’ “cerebral” sophomore effort.
Josie Osborne reviews an additional five tracks added onto Mystery Jets’ latest album
Alex Smith falls for the “absolute beauty.”
From familiar territory to confusing new heights, Bon Iver’s new album is as bizarre as its track titles.
James Barker reviews the frustrating second album from the ‘Stitches’ singer.
Sophie McEvoy reviews Deap Vally’s latest social commentary-fuelled record.
Liam Saunders reviews Henson’s “saddest album yet.”
Harley James Mitford reviews the sparse new offering.
The Los Angeles-based electronic musician’s debut LP meets George Seabrook’s ears.