The Edge
George Seabrook wastes 40 minutes so you don’t have to.
Is there magic in The Orange Glow, or has it gone missing? George Seabrook finds out.
Xavier Voigt-Hill reviews the French trap producer’s “profusely faulted” debut.
David Mitchell-Baker reviews the “melancholic” album from the Canterbury emo rockers.
Alex Smith reviews the Stockport band’s debut, a self-titled “smörgåsbord.”
The band’s fifth studio album “has some redeeming moments,” says Oli Polhill.
Alice Hearing reviews Christine And The Queens’ English-language debut.
Harley James Mitford chats “Chipmunked vocals” and “G-funk synths” on Tom Misch’s latest offering.
Rob Tucker reviews Gucci Mane’s homecoming effort.
Rehana Nurmahi reviews the soul singer’s sophomore collection.
The band’s “joyful” posthumous debut is reviewed by Marcus Bridgland.
Kay Pearson reviews “one of the best, creepiest, and headbangiest albums of the year.”
Katie Duke reviews the electronically-minded successor to 2012’s Chapman Square.
“What’s worse, looking jealous or crazy?” Carly-May Kavanagh reviews Beyoncé’s latest.