More than three years since their last album, will third time charm for Florence Welch and her Mechanical music group?
Slaves’ biggest task on their debut was to catch the chaos of their live shows on record. A tough task, but their short, sweet and very loud album goes some way to do that.
SOAK’s sophisticated debut album makes complex issues seem so simple, and this, not the youth of Bridie Monds-Watson, is what makes the album so mesmerising.
Summer Camp return with their enticing third studio album, Bad Love.
Annabelle Asker takes a in-depth look at Blurryface, track by track, to give you an idea of what to expect from Twenty One Pilots on their latest musical voyage.
Amy takes a look at the personal journey of The Tallest Man On Earth’s fourth album, Dark Bird Is Home.
All in all, lovers of slightly anarchic, rough and ready music, with a dash of English rowdy old man pub music will adore the latest release from Palma Violets…
Amy takes a look at the third album from Best Coast, California Nights.
Mumford and sons go atomic!
My Beautiful Dark Twisted Fantasy is a hip-hop behemoth that stands as one of the most important albums of the 21st century, if not all time, says Evan Smithson.
METZ have released their second full-length album, and it’s a stonker.
Sally Lui reviews the band’s debut record.
Setting their sights on the ether the second time around makes for a turbulent re-entry.