Wonder Where We Land is the second studio album from London-based Aaron Jerome, formally known as SBTRKT. The album maintains the distinctive experimental style recognisable in SBTRKT’s self-titled album released in 2011, and even takes the experiments a step further- with 21 songs packed into an hour long double album. Before releasing the full studio…
This incredibly euphoric fourth album from Caribou is perfect to submerge yourself in after a heavy weekend. Our Love is the seventh album electronic music fans have been blessed with from Canadian Dan Snaith- who has also released three much more dance-orientated albums under the pseudonym of Daphni. Our Love has a radiant and uplifting smooth sound; far…
A new direction for the long awaited third album of one of Britain’s most talented solo artists.
Sally caught up with Harry Hudson Taylor to discuss their new single, debut album Singing for Strangers and being on the road.
Hope, is a reimagining of Cope, which lays bare the intricate details behind the album that is perhaps a little brutal in comparison.
Gerard Way’s new record has been on everybody’s lips over the past few months but does it live up to the high expectations of his very dedicated fanbase?
Angst and romance trade blows in equal measure, and importantly the record maintains enough radio friendliness to make Hozier a hit.
The album reached number one in the US and spawned the lead single, ‘Smells Like Teen Spirit’.
Megan Downing reviews The Drums’ disappointing third record.
Dreamy synths, heavy layering and sharp electronic beats weave a deep, rich sound, which is not particularly groundbreaking but no less impressive.
Alt-J are back for the dreaded second album and after the riveting success of their debut release, the pressure is well and truly on.
The album spawned five singles, including ‘Boulevard of Broken Dreams’, which was named Record of the Year at the Grammy Awards of 2006.
The album spawned five singles, including ‘Boulevard of Broken Dreams’, which was named Record of the Year at the Grammy Awards of 2006.
U2 have created an ‘average-est hits’, a collection of songs that probably won’t be remembered after the inevitable accompanying tour