Crystal Fighters return with their LP Cave Rave, reviewed by Alex Meehan.
Jan Kobal reviews Daft Punk’s much-anticipated number 1 album.
Alex gives great praise to The 1975’s new EP.
Ideal if you’re revising; Laura Marling’s fourth album is out on Monday. Alex tells us what to expect.
Angus Haynes takes a look at Rudimental’s debut and explores the featuring artists and genres involved.
Have the quartet crafted another Baroque pop masterpiece?
Cave Painting provide some music perfect for the revision blues with their new EP, Rio
David Martin reviews Phoenix’s fifth album, Bankrupt!: a fine piece of classic, bright indie pop, and essentially a natural progression of their work.
Californian dance-punk five-piece !!! (say it “chk chk chk”) has been skirting the edges of the UK’s alternative musical consciousness for some years now, providing the early hours of darkened indie clubs with hypnotic music tinged with sticky funk grooves, Pet Shop Boys-esque electronica and a bit of dub added in for good measure. Hard…
Some Say I So I Say Light strengthens Ghostpoet’s appeal, returning to confront the demons which Peanut Butter Blues created and exacerbated.
Alex Meehan guides you through The Pigeon Detectives’ disappointing comeback album, We Met At Sea.
Hannah Mylrea reviews Paramore’s spectacular self-titled, fourth album.
Fatima Thorlu reviews the spectacular debut of XL’s most mysterious Londoner, Jai Paul, and its strange release.
At only 20 years of age, it’s pretty impressive if your album starts being described as “long-awaited” but in Charli XCX’s case, this rings true. Recording since 2008 with money from her parents, she has been making music since her school days but has finally perfected her sound. Not only this but the album has…