The Edge
Carly-May Kavanagh reviews a disappointingly bland comeback single from the Northern Irish indie rock band.
James Barker reviews the first taste of Bastille’s upcoming second album.
Alex Smith explores the “ghostly” first post-Blurryface release from Twenty One Pilots.
Culture Editor James Barker sets out his adoration of Jess Glynne.
Lisa Veiber reviews Rival Sons’ fifth record, a venture into 70s-style rock.
James Barker reviews the underwhelming lead single of Every Open Eye’s rerelease.
Katie Duke reviews the Australian twins’ vibrant entry to electronic pop.
Justin’s fourth single from Purpose stays mellow and classy, says Katie Duke.
‘Even the daring final track of Conscious is not enough to make this album what it needs to be.’ Amy reviews Broods’ Conscious ahead of its release on 24th June.
James Barker reviews the return of Llandudno indie quartet Catfish and the Bottlemen.
The second single from Moose Blood’s upcoming album Blush is a fun and catchy tune, says David Mitchell-Baker.
Navi Ahluwalia reviews the latest EP from the Putney songwriter and producer.
No tears here, says James Barker of Clean Bandit and Louisa Johnson’s new single.
‘Psychic Ills encourage their listeners to take an vacation out of themselves with their newest record, Inner Journey Out.’ Sophie reviews.