“What cannot be denied are the ideas, and styles used have altered the musical landscape for good.” – Kash Singh reviews.
METZ have released their second full-length album, and it’s a stonker.
This is not an article about Funeral, or if it is the better album. This is about Neon Bible, and about music. Besides, of course Neon Bible is better.
Released in 2006, Whatever People Say I Am, That’s What I Am Not, was a ground-breaking debut album for the Arctic Monkeys.
Records Editor Hannah argues for the band’s contentious first album.
Sally Lui reviews the band’s debut record.
Setting their sights on the ether the second time around makes for a turbulent re-entry.
Marcus takes on the album that added fuel to the indie-rock fire in the early ‘noughties’ – heading an enormous wave of similar bands.
The latest in our 40 Days of Rewind series, Records Editor Hannah takes on Muse’s mighty third album.
Despite being Interpol’s debut album, Turn on the Bright Lights is universally acclaimed as their Magnum Opus. Led by charismatic frontman and guitarist Paul Banks, the band kickstarted the early 2000s post-punk revival, drawing as much from Joy Division as they did their New York contemporaries The Strokes. Banks’ baritone singing and ice cool detachment…
Aggression and artistry in equal measure – how The White Stripes finally exploded into the mainstream with their stunning third album.
Released on 10th July 2000, Parachutes was Coldplay’s debut studio album, and the first of what became a whirlwind career.
Enema of the State, on the other hand, took the impish, roguish spirit of punk and gave it a shiny pop gloss, renewing the pop-punk genre.