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Released as a tie-in record with the recently released to cinemas People Just Do Nothing: Big in Japan, The Greatest Hits (Part 1) is a collection of new songs from the comedy rap group Kurupt FM, a collection of mostly nostalgic and very funny, but also genuinely very good, ear-worms and hilarious skits (the one […]
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Reece Beckett finally gets his hands on the ecclectic, messy world of West’s Donda.
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We take a look through the most iconic artistic reinventions throughout music.
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Harry Geeves thinks that Pressure Machine is The Killers’ best album in years.
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Katie Evans explores the impact social media mega-platform TikTok has had on the music industry over the past year.
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This week in records ranges from the serious to the not-so-serious.
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Alice Fortt takes us through the revival that dominated the music scene last year.
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Editor Sam Pegg takes a look at the next magical single from Lorde, in anticipation for her upcoming album.
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Reece Beckett salutes the king of hip-hop’s latest album.
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Max Williams reviews the latest release from collaborative project LUMP.
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Becky Davies explains the importance of Taylor Swift’s fearless reclamation of her own music.
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Reece Beckett explores the many mysterious alter-egos of Lil Ugly Mane.
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Reece Beckett shows some love for one of The Roots’ most overlooked records.
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Ellie Griffiths takes an in-depth look at Billie Eilish’s new album.