The Walt Disney Company is really putting a lot of effort into turning out this big-screen Marvel features. It barely seems like yesterday that I was reviewing the rather awful third instalment in the Iron Man series. Just 6 months on, we have another feature that feels like a sequel to 2012’s Avengers Assemble (though…
Welcome to the second issue of The Curve, The Edge’s crazy celebrity news roundup. After last week brought you 1D boxer theft and legendary rappers cooking crumble, we’ve managed to up our game. This week we have Ja Rule’s cook book, Matt Cardle’s previous profession, and Ke$ha’s haunted vagina (no jokes). Read on to find…
It’s nearly Halloween! And that means you have to be thinking about scary films, and every Christmas list needs some scary treats on it (even if it’s just to stock up for next Halloween!). This is a Universal horror film. In the 30s, Universal was a pioneer in the horror genre, making scares a legitimate…
Laura Cox caught up with Flashfires following their trip to record their debut album in Sacramento.
Michael Anderson thinks we should all be watching Real Time with Bill Maher.
Stand up comedian Ed Byrne is coming to O2 Guildhall Southampton as part of his Roaring Forties nation wide tour on the 30th October 2012. The Irish funny man, best known for his appearances on Mock the Week, QI and Never Mind the Buzzcocks, has been touring the UK since September, and bring his third tour to Southampton,…
Showtime renews Masters of Sex and Homeland for the 2014 season.
Lady Gaga has released a new track from upcoming album ARTPOP.
Pulse is cancelled just four weeks after it was launched.
Annabelle Asker caught up with Deaf Havana’s frontman, James Veck-Gilodi, who is busy touring following the release of the band’s third studio released album Old Souls.
Thomas Williams chats with Marcel Neumann from We Butter the Bread with Butter.
Barnaby Walter finds Steve McQueen’s 12 Years a Slave a difficult film to like
Features Editor Cat Olley reviews the Speakeasy, a highly successful and unique night at The Bridge.
With his second film, Richard Ayoade has graduated his influences from French new wave to Orwellian dystopia and the result is of course, a much less sunny disposition and a far darker set of laughs, says Ben Robins.