by
Editor in Chief, Megan Downing reviews Cirque Éloize Cirkopolis at the Mayflower Theatre.
by
The new stage show, To Kill a Mockingbird, based on Harper Lee’s famous novel comes to the Mayflower Theatre
by
Kirsty reviews the mid season of Indian Summers.
by
The Edge catches up with co-director, John Erskine, to chat about bringing the team’s vision to life.
by
Bronwyn review’s the theatre adaptation of Edward Scissohands.
by
Lewis Cato reviews SUSU’s latest offering.
by
Joe Buckingham went along to review SUSU Showstoppers’ slightly unusual latest show, The Drowsy Chaperone.
by
Rehashing the same themes that the second series ended on; viewers are subjected to some new cult members, some new love interests and a lot of the same old problems.
by
When you think of 19th Century novels, what probably comes to mind is a group of stuffy rich people sat around doing nothing in particular; long, dense passages of prose; ladies swooning and fainting over the slightest thing; and everything ending in a predictable, happy marriage. What doesn’t come to mind is: bandits, duals, betrayals, […]
by
James reviews Tao Lin’s Taipei.
by
The Edge chats to Robin Johnson, director of the upcoming The Drowsy Chaperone, SUSU Showstoppers’ latest musical.
by
Kirsty reviews the latest episode of Indian Summers.
by
Deputy Editor, Caitlin Hobbs, catches up with the team behind the collaborative show.
by
Culture editor, Natalie, divulges her addiction.