The Edge
With the new Star Wars films rendering much of the old expanded universe obsolete, writer Eleanor Joyce gives her verdict on the strangest content to have been licensed by George Lucas.
Patrick Lee reviews the remake of The Binding of Isaac, a unique take on an ancient story.
Return to an alternative Nazi world; wave goodbye to Sir David Attenborough; and it’s panto season at the Mayflower.
David Mitchell-Baker reviews the charming and heartfelt debut to this new Channel 4 comedy-drama.
Sophie McEvoy reviews the astounding, yet true, story of how the popular game came into existence.
Charlotte Barlow reviews the newest Jukebox musical, based on the life of the Kooks, which is currently at Mayflower.
The Southampton Showstoppers put their new Freshers to the test in this energetic production that’s brimming with talent.
Eddy Tesfay hails Westworld as HBO’s next flagship show, a product of the golden age of television.
Fuller House gets fuller; the Dead get festive; and a game that was promised in 2011 finally arrives.
Carly-May Kavanagh can’t not give the final episode of Gilmore Girls five stars; even if there are quite a few troubled moments.
Naomi Graves reviews the Dahl childhood classic, currently being performed at Nuffield Theatre.
Sophie Howard reviews the company’s Freshers Show, an adaptation which brings the famous Orwellian novel to the stage.
The penultimate episode of Gilmore Girls is amusing but troubled, muses Rebecca Barnes.
In one of our Issue 3 pieces, Rebecca James details the exciting slate of RSC productions coming to London this December.