Category: Features

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    Harley James Mitford

    Confessions of a Closet Metal-Head

    Harley James Mitford ponders all things metal, through the medium of “bumbling anecdotes and eccentric ramblings.”

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    Tash Williamson

    Introducing: July Talk

    writer Tash Williamson introduces 5-piece indie pop rock band July Talk.

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    Harley James Mitford

    “We’re trying to be the weirdest metal band possible”: An interview with Carcer City at The Joiners

    Harley James Mitford chats Capri-Suns, Potassium, and Grand Theft Auto with the two founding members of Carcer City.

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    Rehana Nurmahi

    Closer To The Edge: Binge-Worthy Series

    The Edge writers are on hand to suggest shows to binge for the remainder of the holidays, in this week’s Closer To The Edge

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    David Mitchell-Baker

    Why is the DC cinematic universe failing?

    Writer David examines why the DC cinematic Universe just hasn’t hit the mark so far.

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    Bruno Russell

    The top ten original movie songs of 2016 so far

    Bruno gives a rundown of 2016’s best original film songs.

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    Rehana Nurmahi

    How independent cinema gets romance right

    Features Editor Rehana looks at the independent romance genre, and the ways in which it defies the expectations of mainstream romance.

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    Rehana Nurmahi

    The rise and fall of two-part movies

    The multi-part movie has become a staple of our culture in the last decade. The Edge chronicles the format’s rise and fall.

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    Rehana Nurmahi

    Introducing: Sam England

    Alternative folk meets deep, emotive lyrics and raw, earthy vocals. Rehana Introduces Sam England.

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    Rehana Nurmahi

    Closer to The Edge: Books for the Beach

    The Edge writers suggest some recommendations for books to take to the beach this summer.

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    Hollie Geraghty

    National Dance Day: The Best Dance Movies

    In honour of National Dance Day, Film Editor Hollie runs through her favourite dance films.

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    James Barker

    They Keep Killing Rory: Steven Moffat’s resurrection complex

    Culture Editor James examines Steven Moffat’s problem with leaving his characters in the sci-fi graveyard.

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    Camilla Cassidy

    Talking so brave and so sweet: when private love lives influence public music

    Millie Cassidy reviews the effects of listeners knowing who a song was written about, and whether it’s our right to know in the first place.

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    David Mitchell-Baker

    Are movie prequels actually any good?

    We seem to be getting an abundance of prequels, so are they any good in the first place?