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The 87th Academy Awards are nearly upon us; and the Academy have been getting things wrong for quite some time, says George Seabrook.
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Damien Chazelle’s script and direction have made a streamlined and excellent film, full of movement and energy in every scene, says Matt Clarson.
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Editor Rebecca James looks at several actors and actresses who have never won the big award.
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Check what’s coming up this week at your SUSU cinema.
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Despite being fuelled by a grand scope and purely creative aims, Jupiter Ascending stumbles onto screens both flabby and shamefully bland, says Ben Robins.
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Inherent Vice is a hypnotic, stylish and remarkably funny adaptation of Thomas Pynchon’s wildly provocative novel, says Ben Robins.
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Whilst Kingsman is more than just Kick-Ass with spies, it does share its spiritual predecessor’s same frenetic hyperactivity, says Harrison Abbott.
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Missed out on this awards’ season favourites? Don’t worry, The Edge has it covered!
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Selma is far from the definitive Martin Luther King biopic, says James Chadwick.
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Harrison Abbott looks at Fincher’s very successful Gone Girl.
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The film strongly seems to portray how entrapped urban life can feel and the horrors of feeling your fate hasn’t matched your ambitions, says Edward Till.
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This week sees Union Films host a free screening of Pride in celebration of LGBT history month.
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Culture Editor, Natalie, takes a look at the state of cinema and wonders whether all these early clips ruin the experience.
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Trash is a suspense-ridden mystery with faith and humour, says Georgia Dudman.