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Corbijn faithfully handles this brooding and carefully constructed political allegory with praiseworthy poise, says Joseph Henderson.
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The harmonious balance between the substance and style of the film makes it a truly expressive and accomplished work, says Joseph Henderson.
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The Riot Club is uncomfortable, vile and seductive with performances (particularly by Sam Claflin) that overflow with sanctimoniousness, says Lewis Taplin.
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A Streetcar Named Desire’s Hollywood adaption was first aired on this day in 1951.
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With a true old school spirit and a captivating central performance, The Guest is a welcome shot in the arm for the horror genre…. if indeed it even is a horror film.
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Before I Go To Sleep is an enticing domestic thriller with an inescapable nature that is irresistibly haunting, says Lewis Taplin.
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The line-up for the Autumn term includes notable big blockbusters including the likes of Guardians of the Galaxy and Dawn of the Planet of the Apes.
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Flying at a million miles per hour and with a huge, never-ending cast of famous faces, it’s very much a film tailor-made for devoted old-school comedy lovers, says Ben Robins.
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Lucy looks like a collation of scenes from a range of Besson films that had been cut, constructing an assemblage that is mainly nonsensical, but synchronously occasionally fun, says Lewis Taplin
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It may not add up to all that much, it may feel like a less meaty version of the original, but the film is visually breathtaking, extremely violent and deliberately trashy fun, says Harrison Abbott.
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The film stars Jennifer Lawrence and Bradley Cooper and will be released in October this year.
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The film is all about the spectacle and it completely sacrifices in the process any chance of ever being even slightly affecting, says Ben Robins.
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Forget the gloominess of the weather and the end-of-Summer feeling; pick a film and hide yourself away in cinemas this week.
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There is nothing to sink your teeth into; the film is forgettable and is likely to become lost in an oblivion of ‘just another one of those romantic comedies’, writes Lewis Taplin.