by
Nonetheless if you’re open to it, The Guest is one of 2014’s best films. Perfectly paced, beautifully shot, with a tight script and wonderful performances, this is retro-style escapism in the best kind of way, says Harrison Abbott.
by
Read James’ review of Godard’s latest work, which won the Grand Prix du Jury alongside Xavier Dolan’s Mommy at Cannes 2014.
by
Marvel have the audacity to make a film about a talking raccoon, a tree creature capable of saying only three words… and it works!
by
Seven movies in, and the X-Men franchise is still as explosive as ever, with the latest adventure Days of Future Past offering a juicy dual-set plot that you won’t want to miss!
by
“It’s hard to recall another blockbuster from the last few years that has as many shots that linger in the memory.” Godzilla is released on Blu-Ray and Harrison looks back on the misunderstood film.
by
Stoker is something very extraordinary with every part of its filmmaking process meticulously composed to ensure a dramatic mélange in the most cohesive of ways.
by
Following François Truffaut’s 30th death anniversary, Artificial Eye is releasing some of the French director’s films on blu-ray with a delightful bunch of extras.
by
Raimi’s initial sequel offered a tremendously diabolical villain that pushed the film to an emotional breaking point for both Spider-Man and his new nemesis – Webb’s second effort does nothing of the sorts, says Ben Robins.
by
Although the identity of the villain is as hard to decipher as it is in a standard episode of Scooby-Doo, the film manages to be rather entertaining and agreeable to watch.
by
The story offers a moving portrait of three teenage girls in their musical journey to prove that punk isn’t dead.
by
Evans brilliant understanding of the mechanics of film and of how to use cinema language to stage mind-blowing fight sequences is refreshing to see in the genre, says Harrison Abbott.
by
It won’t win any Oscars, but The Legend of Hercules is extremely enjoyable. Best of all, it has the courage to take itself seriously and is all the better for it, says Barnaby Walter.
by
It is a true pleasure to see the film finally being released in the UK after a rather silent presence in cinemas couple of months ago, says our Film Editor.
by
With an awkward mistreatment of both its characters and narration, the film doesn’t manage to find its voice.