For a film so concerned with identity it is strange that The Equalizer’s chief problem is that it has no discernible personalty of it’s own, says Harrison Abbott.
Despite a brief running time, Life After Beth still manages to feel like it’s dragging its central joke out way past it’s threshold, says Harrison Abbott.
David Fincher’s Fight Club opened in cinemas 15 years ago today.
Follow for a listings of Union Films screenings, including the highly-anticipated X-Men marathon on Saturday.
’71 is the work of a seasoned pro, bursting from the fresh-face of an upcoming talent, says Ben Robins from the London Film Festival.
By failing to knit the two genres together closely enough, Spring’s tonal shifts come across as rather random, trampling all of the well-built emotion previously set out in their wake, says Ben Robins.
From a role in Marvel’s Guardians of the Galaxy, the WWE wrestler may play opposite Daniel Craig’s James Bond.
Now getting into his 80s, Boorman returns once again with another unpredictable twist, says Ben Robins from the London Film Festival.
This week’s round-up sees a Bjork concert film, Gia Coppola’s directing debut Palo Alto, Robert Downey Jr. in The Judge and a manga adaptation.
The likes of Bill Nighy, Michael Gambon and Catherine Zeta-Jones join the cast for the upcoming film.
A sleek, bold and terrific new look into the inner-workings of love and relationships, particularly those affected by distance, says Ben Robins.
French Léa Seydoux is cast opposite Daniel Craig for his fourth film in the role James Bond.
After Berberian Sound Studio, Peter Strickland strikes once again with another mind-bendingly odd slice of British magic, says Ben Robins.
Disney-Pixar’s extraordinarily successful Up! was released on 9th October 2009.