The film is all about the spectacle and it completely sacrifices in the process any chance of ever being even slightly affecting, says Ben Robins.
Spielberg’s influence over the cinematic landscape doesn’t end at his directorial contributions, find out Harrison Abbott’s top 10 film produced by the famous director.
Forget the gloominess of the weather and the end-of-Summer feeling; pick a film and hide yourself away in cinemas this week.
The upcoming film is a sequel to 2012’s The Woman in Black, which has become the UK’s most successful horror of all time.
The combination of lush orchestral writing, with imaginative reinventions of classic songs and excellent (un-autotuned) singing is impressive, says Hannah Mylrea.
Bangarang, Robin Williams. We’ll see you in Neverland.
There is nothing to sink your teeth into; the film is forgettable and is likely to become lost in an oblivion of ‘just another one of those romantic comedies’, writes Lewis Taplin.
The story offers a moving portrait of three teenage girls in their musical journey to prove that punk isn’t dead.
Lucy, Alleluia, Deliver Us From Evil, Into The Storm, Wolfcop: which one of these will be your thrill this week?
Kirsty Bradley takes a look at five animated films whose cinematography has a magical impact on their audience.
The third outing of the series is a stunted and rather sad-looking low-rent action picture clinging so closely to its roots that it spends more time bordering on parody than it does actually doing anything worthwhile.
It is the second soundtrack to top the US charts, following Frozen earlier in the year.
Evans brilliant understanding of the mechanics of film and of how to use cinema language to stage mind-blowing fight sequences is refreshing to see in the genre, says Harrison Abbott.
Anyone who enjoyed the television series or the first film will be laughing throughout this sequel, says our writer Tom Hopkins.