Category: Film
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David Mitchell-Baker steps in to defend Quentin Tarantino’s recent underperforming western.
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Matt saw the Zoolander sequel, and let’s just say he wasn’t impressed with what he saw.
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Guillermo del Toro’s stab at gothic romance is a wonder to behold, says Head of Design Jack.
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Burr Steers’ Austen parody is ridiculous fun, says George Seabrook.
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Paolo Sorrentino’s follow up to The Great Beauty really isn’t worth any praise, says James Slaymaker.
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The verdict is in – has Deadpool lived up to the hype? Culture Editor Harrison takes a closer look.
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This invaluable box-set from the late French director is an essential for cinema fans, says James Slaymaker.
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This week in film (8/2/16 – 14/2/16) sees the eventual cinematic bow of Marvel’s loudest character to date, and the grand return of Derek Zoolander’s Centre For Kids Who Can’t Read Good And Wanna Learn To Do Other Stuff Good Too,
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Charlie Masters heralds a whole new cinematic low, starring silver screen legend Robert De Niro.
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Ridley Scott’s latest sees a return to form says Culture Editor Harrison Abbott.
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Tom McCarthy’s powerful drama is more than worthy of its Best Picture nod, says Eddy Tesfay.
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This week in Film (1/2/16 – 7/2/16) sees Bryan Cranston’s latest bow and a bizarre remake of 90s classic Point Break.
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Michael Bay’s latest robot-less effort is a bit of a tactless mess, says Film Editor Ben.
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Harrison reviews John Williams’ Oscar-nominated score for Star Wars: The Force Awakens.