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More than three years since their last album, will third time charm for Florence Welch and her Mechanical music group?
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Slaves’ biggest task on their debut was to catch the chaos of their live shows on record. A tough task, but their short, sweet and very loud album goes some way to do that.
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SOAK’s sophisticated debut album makes complex issues seem so simple, and this, not the youth of Bridie Monds-Watson, is what makes the album so mesmerising.
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Summer Camp return with their enticing third studio album, Bad Love.
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Annabelle Asker takes a in-depth look at Blurryface, track by track, to give you an idea of what to expect from Twenty One Pilots on their latest musical voyage.
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Amy takes a look at the personal journey of The Tallest Man On Earth’s fourth album, Dark Bird Is Home.
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All in all, lovers of slightly anarchic, rough and ready music, with a dash of English rowdy old man pub music will adore the latest release from Palma Violets…
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Amy takes a look at the third album from Best Coast, California Nights.
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Mumford and sons go atomic!
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My Beautiful Dark Twisted Fantasy is a hip-hop behemoth that stands as one of the most important albums of the 21st century, if not all time, says Evan Smithson.
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METZ have released their second full-length album, and it’s a stonker.
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Sally Lui reviews the band’s debut record.
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Setting their sights on the ether the second time around makes for a turbulent re-entry.