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Wonder Where We Land is the second studio album from London-based Aaron Jerome, formally known as SBTRKT. The album maintains the distinctive experimental style recognisable in SBTRKT’s self-titled album released in 2011, and even takes the experiments a step further- with 21 songs packed into an hour long double album. Before releasing the full studio […]
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This incredibly euphoric fourth album from Caribou is perfect to submerge yourself in after a heavy weekend. Our Love is the seventh album electronic music fans have been blessed with from Canadian Dan Snaith- who has also released three much more dance-orientated albums under the pseudonym of Daphni. Our Love has a radiant and uplifting smooth sound; far […]
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A new direction for the long awaited third album of one of Britain’s most talented solo artists.
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Sally caught up with Harry Hudson Taylor to discuss their new single, debut album Singing for Strangers and being on the road.
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Hope, is a reimagining of Cope, which lays bare the intricate details behind the album that is perhaps a little brutal in comparison.
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Gerard Way’s new record has been on everybody’s lips over the past few months but does it live up to the high expectations of his very dedicated fanbase?
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Angst and romance trade blows in equal measure, and importantly the record maintains enough radio friendliness to make Hozier a hit.
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The album reached number one in the US and spawned the lead single, ‘Smells Like Teen Spirit’.
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Megan Downing reviews The Drums’ disappointing third record.
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Dreamy synths, heavy layering and sharp electronic beats weave a deep, rich sound, which is not particularly groundbreaking but no less impressive.
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Alt-J are back for the dreaded second album and after the riveting success of their debut release, the pressure is well and truly on.
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The album spawned five singles, including ‘Boulevard of Broken Dreams’, which was named Record of the Year at the Grammy Awards of 2006.
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The album spawned five singles, including ‘Boulevard of Broken Dreams’, which was named Record of the Year at the Grammy Awards of 2006.
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U2 have created an ‘average-est hits’, a collection of songs that probably won’t be remembered after the inevitable accompanying tour