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Reece Beckett reviews This Thing of Ours, from earlier this year.
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Ellie Griffiths takes an in-depth look at the journey of Sam Fender’s Seventeen Going Under.
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I first discovered Wiki thanks to his incredible feature on Earl Sweatshirt’s second record I Don’t Like Shit, I Don’t Go Outside in 2018. I was just getting more into hip-hop, with Earl’s record marking the point that I really discovered my love for music and Wiki’s feature being one of the greatest moments on […]
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Reece Beckett finds Injury Reserve’s latest LP to be truly masterful.
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2021 is a good year to be a fan of contemporary British rock.
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Don’t be surprised when this ends up on everyone’s Albums of The Year lists, Max Williams says.
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From its opening, which consists of ‘50s film noir-esque orchestral rolls, choirs and falling synthesisers before falling back to a more traditional hip-hop beat, Sometimes I Might Be Introvert states its own importance and scale. Seemingly taking a leaf out of the book of the fantastic Kae Tempest, another great in the current U.K. hip-hop […]
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Reece Beckett takes a look at the latest collaboration between Boldy James and The Alchemist.
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Released as a tie-in record with the recently released to cinemas People Just Do Nothing: Big in Japan, The Greatest Hits (Part 1) is a collection of new songs from the comedy rap group Kurupt FM, a collection of mostly nostalgic and very funny, but also genuinely very good, ear-worms and hilarious skits (the one […]
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Reece Beckett finally gets his hands on the ecclectic, messy world of West’s Donda.
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Harry Geeves thinks that Pressure Machine is The Killers’ best album in years.
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Reece Beckett salutes the king of hip-hop’s latest album.
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Max Williams reviews the latest release from collaborative project LUMP.
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Ellie Griffiths takes an in-depth look at Billie Eilish’s new album.