Category: Records
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Katie Evans reviews the newest track from Brighton-rockers YONAKA.
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Reece Beckett thinks back to the brilliant debut album from jazz-rap project Avantdale Bowling Club.
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In years gone, Royal Blood‘s dirty breed of garage rock seemed fresh. Their 2014 self-titled album had a lot of promise, not least considering bassist and frontman Mike Kerr’s inventive setup. But, like their 2017 sophomore album, ‘Typhoons’ drags the duo’s sound even further into tedium, combining their played-out cock-rock with a poppier non-polish. The…
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Max Williams takes us back to LFO’s second album.
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Reece Beckett reviews the debut album from post-punk band Black Country, New Road.
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A new year means a whole bunch of new tunes for us to rave about!
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Though only armed with a violin, Lindsey Stirling certainly has a way of telling an entire story without words. Whether it is to feel confident in yourself like with “Shatter Me” or how her Artemis album brought an entire narrative between the titular goddess and Nyx to life. Not every story is a powerful ballad though,…
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Review: Billie Eilish and Rosaliá’s Lo Vas a Olvidar; ”Moody, hazy melodies and reverb-heavy synths”
After a year of waiting for the anticipated collab, was it worth the wait?
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Katie Evans reviews the latest release from art-rockers Django Django.
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Katie Evans reviews art-rock band Django Django’s latest album.
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Taylor, Birdy, Greta, and Dua- all you could want from another week of This Week in Records.
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Connier Seamer praises the quick witted lyrics and funky beats of Ashnikko’s newest LP.
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Connie Seamer praises the second half of Slowthai’s newest album TYRON, but can’t help feeling that the first half falls short.
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Harry Geeves shares some love for the newest single from SZA, ‘Good Days’.