Is there magic in The Orange Glow, or has it gone missing? George Seabrook finds out.
Xavier Voigt-Hill reviews the French trap producer’s “profusely faulted” debut.
Alex Smith reviews the Stockport band’s debut, a self-titled “smörgåsbord.”
The band’s fifth studio album “has some redeeming moments,” says Oli Polhill.
Alice Hearing reviews Christine And The Queens’ English-language debut.
Olivia Krauze previews Twin Atlantic.
Rob Tucker reviews Gucci Mane’s homecoming effort.
Rehana Nurmahi reviews the soul singer’s sophomore collection.
The band’s “joyful” posthumous debut is reviewed by Marcus Bridgland.
Kay Pearson reviews “one of the best, creepiest, and headbangiest albums of the year.”
Katie Duke reviews the electronically-minded successor to 2012’s Chapman Square.
Xavier Voigt-Hill reviews the gentle caress of HONNE’s debut album.
Muse’s fourth studio album was released ten years ago today in the UK.
James Chadwick discovers “a rare nugget of fidelity from one of music’s great liars” as Dylan covers Sinatra for his 37th studio release.