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After Disney’s Renaissance period fizzled out by the end of the 1990s, the stage was set for two newer animation studios to wage war at the cinema: Pixar and DreamWorks. One focused on emotionally galvanising films for children and adults alike, whilst the other pioneered cracking soundtracks, screenplays infused with pop-culture gags and a talking […]
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Continuing our series about our writer’s first recollection of the cinema, Jacob Hando reminisces about a trip to see Finding Nemo.
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Abi Cutler profiles the much-loved animation studio.
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Liam Beazley provides his take on the films that can help make the university journey that little bit easier.
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Culture Editor James argues that Pixar are far from confirming their films share a universe.
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With the release of Pixar’s highly anticipated sequel to Finding Nemo, writer Sophie reviews the heartfelt and hilarious Finding Dory.
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Some of the Disney classics are so brilliant they should be left alone, says Georgia Simpson.