Tag: Lily James


  • Nostalgic News: Pride and Prejudice and Zombies was released 5 years ago

    As a loose adaptation of Jane Austen’s Pride and Prejudice, the film that was released five years ago still packs a memorable punch.

  • Nostalgic News: Downton Abbey premiered 10 years ago

    Downtown Abbey hit small screens 10 years ago!

  • Nostalgic News: Cinderella was released 5 years ago

    Kenneth Branagh’s magical adaptation starring Lily James was released 5 years ago today.

  • Review: Mamma Mia! Here We Go Again

    Writer Charlotte reviews the all-singing, all-dancing sequel to ABBA’s musical creation.

  • This Month in Film: July 2018

    As summer blockbuster season continues to be a scorcher, new Film Editor Alice takes a look at some of July’s hottest releases.

  • In Criticism of Baby Driver

    Christian Wise argues that Edgar Wright’s latest blockbuster gets more love than it deserves.

  • Review: Darkest Hour

    Writer Tom reviews Darkest Hour in which Gary Oldman takes on the huge role of Winston Churchill.

  • The Edge’s Top 20 Films of 2017

    With 2017 at its end, The Edge writers have voted and here are our Top 20 Films of the year.

  • This Month in Film: January 2018

    It’s 2018 at last and the year in film is kicking off with a bang, Film Editor David lists some of this month’s must watch movies.

  • Closer to The Edge: Memorable Entertainment of 2017

    As 2017 draws to a close, our writers look back at the standout entertainment of the year (guilty pleasures included).

  • Lily James joins cast of Mamma Mia sequel

    More cast members confirmed and reveals for next year’s Mamma Mia: Here We Go Again!

  • Review: Baby Driver

    Edgar Wright’s new movie brings humour excitement and more, Tom reviews.

  • Freddie Fox replaces Richard Madden as Romeo in Branagh production

    The decision was taken after both the male lead and understudy suffered injuries during production.

  • In Defence Of Cinderella (2015)

    In anticipation of The Jungle Book, writer George Seabrook writes why last year’s remake of Cinderella is perfect the way it is.