Tag: Moulin Rouge!
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Our writers give their suggestions of tunes to listen to on those all-too-common rainy days.
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Love is in the air! With it being the 14th February, The Edge writers pick out their favourite romantic films.
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What exactly is so different between the competing worlds of stage and screen? Is one inherently better? What can theatre offer that the cinema can’t compete with? Holly Hammond examines.
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The combination of lush orchestral writing, with imaginative reinventions of classic songs and excellent (un-autotuned) singing is impressive, says Hannah Mylrea.
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Luhrmann’s has kept his initial recherché filmmaking recognisable, but matured it to a level that collides all parts of filmmaking to one effective united text.