Tag: Records


  • Review: Elvis Costello – ‘We Are All Cowards Now’

    Elvis Costello’s latest track gets 4 stars from Georgie

  • Experimental, Enticing, and Exciting; A Review of The Magic Gang’s Death of the Party

    Hot off the press with its release today, Georgie Holmes shares her thoughts on the newest album from The Magic Gang.

  • Kitschy Cliches and Happy, Honest Pop: A Review of Katy Perry’s Smile

    Did Katy Perry’s latest album make Vicky Greer ‘Smile’? (see what we did there ha I know we’re hilarious)

  • Review: The Japanese House and Justin Vernon – ‘Dionne’

    The Japanese House’s new vibey collab with Justin Vernon gets 4 stars from Georgie.

  • Review: Dua Lipa ft. Madonna and Missy Elliot – ‘Levitating [The Blessed Madonna Remix]’; A Cultural Reset

    Is the ‘Levitating’ remix the best thing that has ever happened? Quite possibly according to Morgan.

  • Review: Travis Scott – The Plan; A Strange Match That Fits into a Larger Picture

    With anticipation for Tenet building, The Edge’s Film Editor Theo Smith gives a listen to Travis Scott’s new single in collaboration with the film.

  • Review: ‘Glue’ – Nat and Alex Wolff; Raw and Honest

    Josh shares his thoughts on the newest track from indie duo Nat and Alex Wolff

  • This Week in Records (24/8/2020) – The Front Bottoms, The Neighbourhood and The Lemon Twigs

    This week has been an absolutely fantastic one for new albums. We’ve got new LPs from The Killers, The Front Bottoms and The Lemon Twigs, and all are pretty damn good. And, of course, we’ve got a hot new selection of singles, ranging from London Grammar‘s earthy vibey tones to a great new track from […]

  • The Best Of Pop-Punk: Neck Deep – Life’s Not Out To Get You

    A maybe controversial article from Callum Holgate today on why Neck Deep’s 2015 album is the very best of the pop-punk genre.

  • Review: Stand Atlantic – Pink Elephant; Perfect Modern Pop-Punk

    Charlotte Brennan discusses the newest record from the Australian pop-punk four-piece.

  • Review: Bon Iver – AUATC; An Important Commentary

    Georgie Holmes shares her thoughts on the latest song from Bon Iver.

  • It Was Never About The Music: Why The Patriarchy Made Us Hate Taylor Swift

    Maddie Lock explores Swift’s shifting position of stardom amongst the backdrop of society.

  • Review: I DON’T KNOW HOW BUT THEY FOUND ME – ‘Leave Me Alone’

    Charlotte Brennan discusses the infectiously catchy new single from IDKHOW.

  • Introducing: Joy Crookes

    Elizabeth Sorrell explores the career and lyrical influences of Joy Crookes.