The Edge
The new album is out, but is it worth Hearing Without Ears?
Tom Brewster reviews the Baltimore duo’s most astonishing work to date
Should we censor our music?
The singer/songwriter’s latest single proves lush instrumentally, if a little too self-serious lyrically.
The San Francisco ‘blackgaze’ pioneers surprise once again, on a genre-defying odyssey of noise.
Off the back of his success as Jesus Christ Superstar, the crooner is back with an ode to his wife, Chrissy Teigen.
Tom Hills reviews the “impressive” debut from the Utah girl group.
Meg Holland reviews the latest single from the folk maestro and the first after a four-year hiatus.
Almost 5 years on from its original release, Joe Williams thinks back to one of the hip-hop icon’s most divisive records.
Harry Fortuna takes a look back at the band’s iconic album.
Tom Hills takes a look back at the debut album of the coolest, and arguably, greatest rapper of all time.
Ivan Morris Poxton reviews the up and coming DJ’s EP.
There’s a new album from that band that we seem to like quite a lot here.
The fragility of My Love Is Cool is not lost in the band’s latest says Gabriela Gurycz.