Opening with a twelve-piece orchestra building a foundation reminiscent of Ian Brown’s ‘F.E.A.R.’, ‘Threshold’ lacks the typical elasticity of Redlight’s work, though not the listenability. Compared to previous singles ‘Gold Teeth’ and ‘Lion Jungle’, the radio-friendly sensibilities are explicit. Vocalist Melisa Whiskey leads us through a tale of a relationship that’s falling apart packed with…