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Forgive me, Mr Father, for I have sinned by absolutely loving this show! You’ll know what I mean by this when you do watch the show, which will be shown from 18th-23rd August at ‘theSpace on the Mile,’ Space 1, during the Edinburgh Festival Fringe. Last week, I watched the Theatre Group adaptation of George Bailey’s […]
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Radu review SUSU Theatre Group’s latest play.
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Read Alex Tsherit’s exceptional review of Showstoppers’ first 2025 production: Amélie
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Read Alex Tsherit’s stellar review of SUSU Theatre Group’s All My Sons.
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Showstoppers kick start their year with their ‘Fresher’s Show’ – a cast full of those who haven’t yet acted for the society. They showcase this group of novices (or so they claim) with Beauty and the Beast, in a production that was as delightful, charming, fearsome and frightening as the title might suggest… Beauty and […]
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“How things come to light in the dark!” The University of Southampton’s Theatre Group has put on yet another stellar production, this time it is the delightful ‘The Marriage of Figaro’. From the brilliant set design as you walk in, to the convincing and comical acting by the cast, ‘The Marriage of Figaro’ is a production […]
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Film Editor Frankie reviews ‘One Missing Piece’ at The Annex Theatre.
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“How do you feel about the fourth wall? Too late!” The University of Southampton’s Theatre Group production of ‘Accidental Death of an Anarchist’ was two hours of pure delight. From the beginning to the end, the audience were brought to laughter, a testament to the phenomenal delivery of The Maniac (Kat Fevyer). Here, it is […]
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Editor-in-Chief Rosie takes a journey to Rydell High, a leather jacket in tow.
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Jasmine Kelly reviews The Bad Daters at the Edinburgh Fringe Festival
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Charlie Burgess delivers a glowing review of Paperlight Theatricals’ performance of DNA
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Sam Pegg is taken across seas to land in troubled waters with The Ocean at the End of the Lane’s moving story.
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Mayflower Theatre sits down with The Ocean at the End of the Lane author, Neil Gaiman, to ask some questions about the theatre adaptation of his beloved book.
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Deputy Editor, Sam Pegg, relives the beauty of the classic Rodgers & Hammerstein musical.