The Edge
Josh Harris previews ‘Waiting For Godot’ by Theatre Group (13-15/10/16).
Olivia Krauze and Bruno Russell review Dedication, an exciting new piece from Nick Dear, currently at the Nuffield Theatre.
The Full Monty is a fun cheeky-chappy production, even if it does have a few flaws, says Bruno Russell.
Groundhog Day is moving Broadway – with music and score by Tim Minchin.
Live Editor Carly-May discusses if the West End purposely prices certain groups out of being able to visit.
Olivia Krauze reviews new theatrical venture ‘The Game’s Afoot’, an immersive Sherlock whodunnit that’s not easily solved.
Pirates of Penzance proved not to be a ‘fun-filled adventure,’ but rather one you wish you’d never set sail on…
This Week in Culture (31/7/16-6/8/16) sees the arrival of the book we’ve all been waiting for…
The reviews for Harry Potter and the Cursed Child have begun to emerge, and it seems that the critics are spellbound.
Rehana reviews Matt Smith’s thoroughly bizarre return to the stage in Anthony Neilson’s Unreachable.
With Hamilton saying goodbye to three original cast members, Rehana looks at the perks of changing casts
Writer Samuel reviews The Mikado at The Mayflower Theatre.
Jasveen Bansal reviews Funny Girl at the Savoy Theatre, with Natasha Barnes standing in for Sheridan Smith.
Writer Tash Williamson looks at the ways in which the the film industry fails ethnic minorities and why this matters